Jigris presents itself as an engaging youthful film that honors friendship, travel, and the unforeseen experiences that define one’s life journey. Directed with the intent to merge comedy with genuine emotions, the narrative centers on four close friends embarking on an impulsive trip that transforms their lives. With humor driving the plot and nostalgia at its core, Jigris seeks to resonate with anyone who has cherished wild memories with their friends. The plot revolves around four best friends—Karthik (Krishna Burugula), Praveen (Ram Nithin), Vinay (Dheeraj Aathreya), and Prashanth (Mani Vakk)—who choose to drive to Goa in a Maruti 800 following a night of drinking.
What begins as a spur-of-the-moment decision evolves into an eventful journey when their vehicle breaks down en route. As they attempt to repair it, they meet an eccentric character who adds excitement to their adventure. The film further delves into whether they reach Goa, the rationale behind their choice of a small car, the unexpected occurrences during their trip, and how this reckless excursion becomes pivotal in their lives. Although the story avoids major plot twists, it thrives on relatability, making viewers feel as if they are watching their own friends on screen. However, the final fifteen minutes transition from humor to deep sentiment, leaving the audience with a poignant experience.
Krishna Burugula excels in his role, seamlessly driving the narrative forward with his vibrant presence. Ram Nithin provides a solid performance that enhances the group’s chemistry. Dheeraj Aathreya stands out with his natural comedic timing. Mani Vakk plays a significant role at the story’s center, though his emotional scenes could have benefitted from more depth. Director Harish Reddy Uppula emphasizes humor and relatable experiences effectively. The cinematography is bright and captures the youthful spirit of the film well. Kamran’s music enhances key moments, while the production values are polished and visually appealing. Jigris does not aim for a complicated plot; instead, it prioritizes humor, friendship, and relatable experiences.
Memorable scenes, such as the lorry sequence, the “country chicken” incident, and the amusing condom moment, provide hearty laughs. Even the Maoist block has its merits. While the conclusion may feel more emotionally charged than anticipated, the film successfully stirs nostalgia, prompting viewers to reflect on their own playful childhood friendships.
