Blending mythology, suspense, thriller, and crime into a single film is quite an achievement, and TribanadhariBarbarik aims to do just that. Directed by Mohan Srivatsa and presented by esteemed filmmaker Maruthi, the movie is produced by Vijaypal Reddy Adidhala under the Vanara Celluloid banner. It features a talented cast including Sathyaraj, Vasishta N. Simha, Udaya Bhanu, Satyam Rajesh, Kranthi Kiran, Sanchi Roy, and Meghana, with its release scheduled for August 29, preceded by paid premieres a day earlier. The story kicks off with renowned psychologist ShyamKatu (Sathyaraj), who files a report about his missing granddaughter Nidhi (Meghana). Concurrently, Ram (Vasishta N. Simha) is in need of ₹30 lakhs to relocate abroad and encounters Satya (Sanchi Roy) during his struggles.
At the same time, lady don Vakili Padma (Udaya Bhanu) becomes embroiled in her son-in-law Dev’s (Kranthi Kiran) gambling debts amounting to ₹15 lakhs owed to gangster Dasanna (Motta Rajendran). The film explores how Ram and Dev tackle their issues, the fate of Nidhi’s case, and how these seemingly disparate storylines connect to the overarching theme of Barbarik. In terms of performances, Sathyaraj stands out as the foundation of the narrative, portraying his psychologist role with nuanced expressions. Vasishta N. Simha captivates with his intensity and range, while Udaya Bhanu makes a significant return with a compelling character. Debutant Kranthi Kiran reveals unexpected depth in emotional scenes.
Satyam Rajesh, Sanchi Roy, and Meghana deliver commendable performances, and VTV Ganesh along with Motta Rajendran provide moments of comic relief. Technically, director Mohan Srivatsa effectively crafts a gripping drama with a multi-layered storyline. Kushender Ramesh Reddy’s cinematography is particularly impressive, offering striking visuals that enhance the overall atmosphere. The background score and songs by Infusion Band contribute to the suspense and emotional nuances. For a debut production, Vanara Celluloid showcases high production standards, with producer Vijaypal Reddy ensuring quality throughout. In analysis, TribanadhariBarbarik excels in intertwining suspense with social messages, especially regarding how addictions can transform individuals into monsters. The screenplay maintains a high level of tension from the outset, with an interval twist that keeps audiences engaged.
The second half accelerates with unforeseen pre-climax and climax twists, culminating in an emotional conclusion. Although the film occasionally revisits familiar themes, its unique blend of mythology with contemporary crime storytelling represents a refreshing effort in Telugu cinema.
