Years ago, after witnessing the consequences of the Kalinga war, Emperor Ashoka concealed the secret of eternity in nine books of sages and entrusted them to his nine most loyal guardians. In the year 2000, Ambica (Shriya Saran), a seer holding the ninth book, foresees the emergence of Mahabir Lama, also known as The Black Sword (Manchu Manoj), a ruthless individual determined to acquire the books and achieve immortality. Ambica’s actions inadvertently lead Vedha Prajapathi (Teja Sajja), a playboy orphan from Hyderabad and a descendant of one of the chosen sages, to cross paths with her. Throughout this fantasy adventure, several questions arise: Will Vedha rise to confront Mahabir? Are the nine books truly as significant as they seem?
What drives Mahabir’s quest for the books? Who is Vibha (Ritika Nayak) and what is her significance? Most importantly, what does Mirai represent — a book or an idea? These questions unfold as good battles evil in a climactic showdown between light and darkness, blending mythology with a contemporary backdrop. Teja Sajja’s performance in Mirai is commendable, continuing the strong form he established in Hanu-Man. He seems aware of the audience’s expectations and rises to the occasion. His portrayal is both captivating and impressive, particularly in scenes where he transitions between the dual aspects of his character. However, the first half of the film feels somewhat familiar and predictable, following a well-trodden narrative.
Despite this, the brisk pacing helps maintain engagement. In contrast, the second half elevates the tension and presents a richer experience.